Consider The Lobster And Other Essays

And what happens when adult video starlets meet their fans in person?It’s worth reading because of the eloquence with which DFW covers the industry that is anything but.On a Wednesday morning in late July 2003, David Foster Wallace made his way to the “the enormous, pungent, and extremely well-marketed Maine Lobster Festival” held every year in the state’s midcoast region.

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The truth is that if you, the Festival attendee, permit yourself to think that lobsters can suffer and would rather not, the MLF can begin to take on aspects of something like a Roman circus or medieval torture-fest.“Some Remarks on Kafka’s Funniness from Which Probably Not Enough Has Been Removed” Franz Kafka had a sense of humour – we were not taught to see this.“It’s not that students don’t “get” Kafka’s humor but that we’ve taught them to see humor as something you get — the same way we’ve taught them that a self is something you just have.To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit.It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience.No wonder they cannot appreciate the really central Kafka joke — that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. Thompson’s,” The grotesque attack of 9/11, as seen from the American Midewest, where DFW lived at that time. Thomson’s television, he describes the day, the scene, the sadness and the empathy.“How Tracy Austin Broke My Heart,” A great essay about the bad autobiography of a remarkably good tennis player.S.: Is it all right to boil a sentient creature alive just for our gustatory pleasure? This is all to say that what makes “Consider the Lobster” so good is not merely Wallace’s detailing of the various ways in which lobsters are euphemistically “prepared” for cooking — e.g., “Some cooks’ practice is to drive a sharp heavy knife point-first into a spot just above the midpoint between the lobster’s eyestalks” — nor is it his erudite display of “comparative neuroanatomy” and “hard core philosophy” that is required to discuss behaviors associated with pain and suffering, but rather his propensity to lure readers of Gourmet into the depths of self-investigative moral inquiry with him.A related set of concerns: Is the previous question irksomely PC or sentimental? An undertaking many readers of Gourmet, as we shall soon see, would not have otherwise agreed to at the outset of reading.In order to save a lot of research-summarizing, I’ll simply assure you that the analogy between frogs and lobsters turns out not to hold.There’s nevertheless a useful correlation between the frog parable and thinking about the structure of Wallace’s career-long engagement within the literary journalistic tradition: He begins slowly, almost tepidly, with his readers, gracefully careening them through a seemingly innocuous narrative about “one of the best food-themed festivals in the world.” Meanwhile, unbeknownst to gourmands and frogs alike, the narrative’s temperature steadily increases to a boil, and readers are unable to think or claw their way out of questioning the varying gradations of consciousness and the responsibilities and subsequent difficulties of living a thoughtful, conscientious existence.

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