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If it’s not that important in the poem, why am I including it? I need to compare analytically and compare ideas/themes/language/structure/form.This is my response: In Futility and Come on, Come back, we see the results of wars past and wars future.The personas in the two poems are also different: Owen’s is a first-person narrative whereas Come on, Come back is third-person narrative.
Even though the dead soldier looks as if he is just sleeping, he isn’t. He also builds on the series of questions he asks in the poem to build up to the most profound of all: “Oh what made fatuous sunbeams toil/to break earth’s sleep at all?
” Here we see how he cannot understand why the universe bothered to raise anything, to build a civilisation, when it is all for nothing. Although Come on, Come back is a narrative poem, it still uses the structure to build up to a climax, just as Owen did.
I like to compare is really about the results – the aftermath I tried to make sure I had a conclusion that brought everything together and I picked out the four key ideas and rephrased them in my answer. I know I need to use quotes to support my response.
And I know I need to pick out the best quotes – something really insightful.
The line lengths and the way the lines fall, as well as the odd rhymes of ‘stone’ in the first stanza are also disjointed and fragmented.
Thus we see how the poet uses rhythm and rhyme (or half-rhyme in Owen’s case) to create a sense of a fragmented, confused, disharmonious world.It might be ‘rutted’ but the moonlight, water and meadows remain. Nature doesn’t offer consolation or solace or hope or safety; it simply reminds him of the pointlessness of life.Nature is what consoles Vaudevue, giving her sanctuary. It’s almost as if Vaudevue is the last human on earth – apart from the enemy sentinel. The sun, a powerful and evocative image of life, has no power.In Futility, the damage done by conflict is in how it makes Owen question everything: mostly, it makes him question our existence, the whole point of our lives: “was it for this the clay grew tall?” – in this God-forsaken man-made war, he cannot see God, or the point of existence. Yes, the sun gave conditions on earth the ability to generate life. It leaves Owen desperate for answers and despondent about life.We’re instantly thrown into wondering if it’s acceptable for women to see such things, and if it isn’t, is it any better for men to see such things. In fact, Owen doesn’t even say that this man is a soldier, or even that he is dead. One is that he doesn’t even know who the soldier is – which shows us the absolute tragedy of war. The other thought is that by keeping the soldier anonymous, Owen is deliberately trying to show that he could be anyone.Not only this, but Smith calls her a ‘girl’ – something more fragile, more innocent than a man. Unlike ‘him’ in Futility, a soldier who could represent anybody, Vaudevue has a name and we see her actions. One makes us think that the dead soldier could be anybody. Both show the effect of war – one by using an anonymous man to show Owen’s own thoughts, therefore the effect on him personally. Both take one individual and show the consequences of conflict on them – and by seeing one person, we learn about the effects of war on the individual. The effects in both poems seem largely psychological.In Come on, Come back, Vaudevue comes to the same conclusion. ” and although the question is ostensibly about her memory loss, we sense something much deeper.Conflict has left both Vaudevue and Owen with a profound sense of pointlessness.Indeed, in Christianity, water is the symbol of baptism, whereby the holy water washes away sin and leaves you reborn. This water does not clean her or wash away her sins.When the ‘enemy soldier’ calls her back and carves out a pipe from the reeds, we get a sense of something more primeval – something pre-Christian, something pagan. Without religion, we have no sense of anything after death, so not only do both question their existence, but without the promise of eternal life, life is completely pointless.