Another play on words, nunnery, in this instance, symbolizes both sexual abstinence and sexual perversity. Or perhaps his own portrayal of madness — his "antic disposition" — that he dons like a mask or a costume actually drives him. Or is his flaw that he believes he is pretending to be mad? Or could his tragic flaw be that he possesses the same hubris that kills all the great tragic heroes — that be believes he can decide who should live and who should die, who should be forgiven and who should be punished?
Another play on words, nunnery, in this instance, symbolizes both sexual abstinence and sexual perversity. Or perhaps his own portrayal of madness — his "antic disposition" — that he dons like a mask or a costume actually drives him. Or is his flaw that he believes he is pretending to be mad? Or could his tragic flaw be that he possesses the same hubris that kills all the great tragic heroes — that be believes he can decide who should live and who should die, who should be forgiven and who should be punished?In a cloister, Ophelia would take a vow of chastity, and in a brothel, she would serve as the basest sexual object. Then, perhaps, is the ghost a manifestation of his own conscience and not a real presence at all?Tags: Essay On Dignity Of LabourUniversity Of Tulsa Admission EssaySmall Business Floor PlansHow To Write A Concept EssayCollege Essays Help Writing Research PapersCatholic Research PaperMsw Admissions EssayMit Mba Essay
His tragic heroes are always persons of the highest rank, save one Othello.
His famous tragic characters- Macbeth, King Lear, Othello, Antony, Cleopatra, Julius Caesar, Romeo and Juliet, and Hamlet-possess some recognizable common features like inherent nobility of nature, indomitable will and courage to face death gallantly.
Can concluding whether Hamlet is mad or merely pretending madness determine all the questions about Hamlet's nature? Which leads to the question students must ultimately consider: Is Hamlet a tragic hero at all?
Could a madman manipulate his destiny as adeptly as Hamlet turns the tables on Rosencrantz and Guildenstern? The Greek philosopher Aristotle defined the tragic hero with Oedipus as the archetype a great man at the pinnacle of his power who, through a flaw in his own character, topples, taking everyone in his jurisdiction with him.
But whether jealousy prompts his hatred, whether his fixation on his mother causes his inability to love Ophelia, and whether he lusts after Gertrude all depend on interpretation. Hamlet's love life could result from his Puritanical nature.
Like the Puritans whose presence was growing in England of the time, Hamlet is severely puritanical about love and sex.Though tragedies had been written in English prior to Shakespeare, most notably, Christopher Marlowe, Thomas Kid, Gorge Peele and Robert Greene, it was Shakespeare who gave it its distinguishing features. Shakespeare's tragedy depicts the operation of tragic flaw in hero's character.Of course, chance, fate and supernatural also play a vital role in the fall of the hero.But the controversy of his sexual identity equally charms and repels people. The psychoanalytic profile of the character supports Freud's theory that Hamlet has an unnatural love for his mother.Hamlet unequivocally hates his stepfather and abhors the incestuous relationship between Claudius and Gertrude.But they temporarily succumb to evil, face agony and conflict and end with their death.Yet the tragic hero towers above the remaining characters of the play.Hamlet fulfills the Aristotelian requirement that the tragic hero invoke in us a deep sense of pity and fear, that we learn from him how not to conduct our lives.Hamlet is our hero because he is, as we are, at once both confused and enticed by endless dilemmas that come from being, after all, merely human.He is appalled by Gertrude's show of her pleasure at Claudius' touch, and he clearly loathes women.His anger over Claudius' and Gertrude's relationship could as easily result from a general distaste for sexual activity as from desire to be with his mother.