Jefferson Davis Essays

Jefferson Davis Essays-86
As a theologian who has also won awards from the Templeton Foundation, it is not surprising that Davis would also use insights from the sciences but his inclusion of ideas from the worlds of video gaming and virtual reality were surprising.Davis’ text is not “grumpy” insofar as he is merely railing against the loss of something that he is nostalgic about recovering.

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My hope is that this will happen and that it will happen soon.

Many years ago, we saw in the show-window of a well known London bookshop a copy of the then recently published biography of General Robert E.

We perceive the reflection of the same efflorescent spirit in Mrs. Davis’s aristocratic descent on the development of her character, as well as on her general attitude in her social relations.

But when our authoress leaves her introductory remarks and genealogical comments behind, and begins to present the real life of her heroine in the charming social environment of Natchez and its vicinity—the scene of Mrs.

She has written in a much more modern spirit than this.

It is true that there are not to be found in her volume the sly cynicism, the mordant irony, and the withering slurs of the school of Strachey.

Philip Guedalla is nearer her mark, except that she is always serious, and always charitable in judgment; but there is in her case also the same accumulation of infinite detail, and the same voluminousness of comment, shot through with the variety of constantly shifting points of view.

Her method is an analysis of character and conduct rather than a study of actual events.

It is true that, in the first chapters, there are examples of over-embroidered sentiment and inflated expression. Davis’s devotion to her husband, the references to Queen Victoria’s adoration of Prince Albert seem suggestive of too august comparisons; and also to go back to the classic story of Andromache appears to be still more grandiloquent.

Indeed, in this part of the book, there is here and there a decided echo of the highflown rhetoric that once gave the novels of Augusta Evans so much vogue.


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